nature

Le petit monde des prés du vent

Dans les prés où les papillons batifolent

On s’allonge dans l’herbe, regardant le ciel

On entend quelque chose, un battement d’aile

Les yeux se ferment. Un oiseau s’envole

 

Sur son audacieux brin d’herbe

Une fourmi tient tête à la fraiche brise

Tandis que sur les cerises

Déambulent ses nombreux petits frères

 

En contrebas, un petit ruisseau

Assiste au ballet des libellules,

Qui, excitées par le bruit de l’eau

 

Consument cet amour qui les brulent

Et s’en vont vite, gaiement vers les cieux

Illuminées par les rayons d’argent d’un soleil de feu.

Author's Notes/Comments: 

Sigma

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God, The Great Creator

A crisp, cool autumn evening,
Stars fill the night up high.
God, the great creator,
Decking out the sky.

A garden lit by the moonlight,
A rose kissed by His hand.
The beauty He created,
Even the smallest pieces of sand.

Petals of the roses
Glisten in the night.
The Master of creation,
His colors are pure delight.

From void He created beauty,
From dark He created light.
The Master of creation,
And to man, He gave them life.

Source: https://www.familyfriendpoems.com/poem/god-the-great-creator

White Hill Adventure

 

Author's Notes/Comments: 

About D.L. Brown

I am homemaker and have been writing poems since the early 2000's.
I was inspired by the Pastor of my Church, who was also a school teacher. 
He has encouraged me to write poems.

The majority of my writings have been about Jesus and the Bible.
I believe we all have a hidden talent, a gift that’s been given to us by God. 
It’s like a rough stone that needs to be polished into a diamond.

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Trees In The Green




Trees in the Green

 

A view of the trees

Remembering that they are

life forms jutting out

In cemetery prairies

Also, in parks & parklands

 







Author's Notes/Comments: 

Reedited 08.31.2019 (corrected a misspelled word in the Author's Notes/Comments: introspecive - intros*pective); 07.05.2019; 07.02.2019 grammatical error correction: (due *to, versus due *from, self-directedness versus self-directed learning)  


Reedited 06.22.2019 (for corrections regarding the mismatched syllables in the last line which was not seven syllables (when I thought it was before), if the 5-7-5-7-7 basic tanka description is to be followed.  This error was intuitable in that specific time, yet the error was still committed because I thought that I was doing it right  (I would recall that it was possibly due to excitability in those initial moments; & which I only have been able to finally confirm along the way by verifying its initial descriptive notion as I went over it this time (ipso facto, earlier today).  This is a helpful aid in my self-directed learning since this was an issue with descriptivism.



06.07.2019 reedition (for grammatical & semantical errors):



This was just an attempt at composing a "tanka" after a very, very long time that I had not composed one.  Although not published here, I have known that I have created some Japanese poems beforehand  (in the decades that are passé).  Believing, at first, that I was mindfully creating a haiku, which was my 'real intention' (until this was being thought out right now), my recounting proved that I am mistaken (mostly due to the descriptions I once held in my mind to be 'true'—e.g., a 'Gettier problem', in an epistemological sense).  In my mind, I was wanting to make a poem, in short verses.  And I could not help but recall the 'Japanese art', until later when I began realizing that—via a causal relation—"I might have gotten something wrong" (also by virtue of merely going by the term's/definition's sake).  Both of their definitions were readily available in my mobile device's built-in dictionary & are easily accessible; yet despite that obvious breakthrough of technological convenience, I figured that it is not enough for me to truly grasp the essence of such a particular Japanese "art form" (from an 'a priori' knowledge).  And then, somehow, the 'a posteriori' notion prodded me because of this process in my introspective/reflective note/commentary). This particular poem, (i.e., an actual example of my 'tanka') has got me in that realization.  Its poetic style have me liking it more, which emphatically may have quite something to do with why I liked it all the more (because of its refined/distilled appeal).  Quite, I liked it so much (I thought)..even though I still have yet to figure out both of their distinctive qualities (i.e., tanka vs. haiku) which does not warrant a self-directed learning in any way.  Right now, I cannot yet say why, in terms of technicality, because I just wanted to emphasize a 'particularity' whenever I expound on its adverbialism (in this respect, with my objectification/objectivity).  The rest would be left to the spontaneity of the learning experiences of life.  Although, truthfully, a tanka - how my experimentation turned out to be, has that totally different approach & meaning to poetry (as compared to a "haiku")..while I mistakenly was thinking that I was actually composing a haiku for that matter.  That spontaneous occurrence mattered in that it happened aptly, when I would have liked it to be happening at this time.  The end result is valuable empirical data [outcome].—The mobile device, where the sources of informational products were "actually" taken from, & that which had provided me with the quickest possible reference at the time, was just a particular "language text" defining the "definiendum" ["tanka"].  This was seemingly the recallable driving force and decision point for its final publication.  Thus, it ended up here, howsoever, & that had also given me enough (or more) reasons to examine my poems—in this capacity.  Once again, I apologize for my long notes (which you can expect sometimes whenever I have something to post/to share here).  Kindly please pardon my philosophizing as I have tried to give my comment on several accounts or viewpoints (a multiperspective approach with a lot of contextual dimensions & intertextuality).  Thank you for looking on!

 

 

 

Vernal Equinox LIV

Folder: 
Seasons In Hell



By the flash of the sword of Lucifer thrust imperiously into the heavens, lightning strikes and thunder rolls, the roar of The Draegon echoes throughout the trembling earth, cloven hooves part asunder, the rivers and streams flow fresh, rendered aflame by the Lustful Hellfire of Satan! 

Verdant life bursts forth upon hill and dale, mountains and forest, planes, to greet The Hellements, of flora and fauna, Fleurs Du Mal, Sorath's triumvirate eminence and Luna's enchanted light dance in lush gardens of wondrous nature, tapestries for each creature to paint according to countenance! 

Birthing the demonseeds to grow from mind and earth, upon root and branch and tree and bush, whose fruition is partaken of in earthen communion by the creatures of the land, sea, and air, who give even their own flesh for mutual gratification!

Draegon Ouroboros takes another turn, one season confounds another! Disrobed, the nymph and maiden, Succubus Lilith incarnate in Witches sublime. Flames ascend the tower spire, lights the path to deep desire! 

In Nomine Satanas!

Warlock Draconis Blackthorne
The Infernal Empire, The Black Earth
Vernal Equinox, LIV Anno Satanas

Author's Notes/Comments: 

This year's Equinox is accompanied by The Super Full Moon, ideal for Apotheosis and overall Magical workings. 

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LISTENING TO BAMBOO

Nature graces us with a myriad of sounds…

as we walk around us they swirl

countless sounds when we stop to listen…

that add beauty to our world.

 

We’ve heard thousands of sounds on our walks

but today as a gentle morning breeze blew

before we knew it there we were

listening to bamboo.

 

It may sound a little too emotional…perhaps a bit profound

but when you listen to bamboo…there is a message in the sound.

 

Listen as the leaves are giggling

perhaps what they’re trying to say

Is we should spend more time laughing…

smiling or at play.

 

Hear the bamboo sway in the wind

for there can be no mistake

they are showing us how to be strong

how to bend but not to break.

 

When you listen for a while

you cannot help but see

how there is wisdom in their emptiness

and beauty in their simplicity.

 

I will never tire of the sounds 

of birds singing as they soar,

of the leaves rustling under our feet

or waves crashing on the shore…

 

of the humming of the bees

of the nightingale’s cry

of rain falling on our roof

or thunder in the sky.

 

But every now and I like to stop…

take a moment 

maybe two

when a gentle breeze is blowing…

 

and listen to bamboo.


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Garden At Summer

Plump and oozing, the rosebuds wet
Doused in full shot, with doubled red
To rouse gaiety and flare of lamps
Cupped in single flower-folds and wrapped
Close to the heart, carrying beloved babes
By sovereign arms giving all embrace;
When guarded under family love and conclave,
Against the long-sheltering stone of a grave.
The scattered meadow, like a sun-filtered dam
Tidy placid area, where exchanged winds ran
Odour and resurrection of fair clef;
Row burgeoning in panoply conferring,
Dead silence bidden by the whirlwind
That almost dropped a spirit up the trees.

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Satanic Unholydays

Folder: 
Seasons In Hell

SATANIC UNHOLYDAYS
Seasons In Hell celebrations. Rite references from Dracomeroth unless otherwise noted. Ideally, all celebrations include cake & orgies!

SABBATHS
Grande Celebrations & High UnHolydays for gatherings and High Sorcery.

  • I. NATIVITY: One's own Nativity celebration. {Rite of Nativity, Infernal Apotheosis} / Also includes days of observation towards notable & de-facto individuals demonstrating Satanic principles throughout history.
  • II. AUTUMN EQUINOX: Harvest Feastevil / Feast of The Beast {Hellemental Mass}
  • III. HELLOWEEN: Harvest Feastevil of The Beast / "Satan's Birthday" / Veneration of The Shadow / Infernal Communion / Necromancy {Hallow Rite}
  • IV. WINTER SOLSTICE: Season Lucifer. Satanalia, Yule Feastevil of Winter Demon KrampuSatan Claus {Hellemental Mass, Homage To Tchort [TSB]}; may range from Krampusnacht - Winter Solstice}
  • V. SPRING EQUINOX: Season Leviathan {Hellemental Mass}
  • VI. AESTASOLSTICE: Season Satan {Hellemental Mass}
  • VII. WALPURGISNACHT: Foundation of The Church of Satan. Forces of Darkness, Daemonic energy increases. {Walpurgisnacht Rite}

ESBATS

  • VIII. FRIDAY THE 13th: Medieval & blasphemous, sacrilegious themes. {L'Air Epais, The Satanic Bible} 13 Dracommendations | On Friday the 13th... | Mind Traps | 
  • IX. FULL, BLACK, BLOOD MOONS: Full moon or lust/love spells, Black moon for Hexes & Death Curses, Blood Moon for all + Infernal Apotheosis.
  • X. SOLAR / LUNAR ECLIPSES: All. Infernal Apotheosis. Particularly potent & psychodramatically stimulating. Potent Shadow energy to draw from to increase Magic.
  • XI. PLANETARY ALIGNMENTS: All. Infernal Apotheosis. Study particular Grimoire designations for specific daemons, sigilization, & purposes of empowerment & attainment. Potent energy to draw from to increase Magic.
  • XII. PERSONAL: Birthdays for loved ones, Weddings, Baptisms, Funerals {see Dracomeroth, The Satanic Rituals, Scriptures}, Accomplishments, secular holidays for relatives & selfish acquisition.

RELATEDFAQ Holidays

Author's Notes/Comments: 

Seasons In Hell celebrations. Rite references from Dracomeroth unless otherwise noted. Ideally, all celebrations include cake & orgies!

AestaSolstice LIII

Folder: 
Seasons In Hell




Upon Aestas Solstice, I ponder the days getting shorter and the onset of Autumn, in the last stride towards Helloween, with macrocosmic manifestations emerging shortly after 4th of July celebrations. I do appreciate the scantily clad maidens and succubi in this season of Hellfire, burning away vestments of perfidy to allow for prideful demonstration, stimulating the Lusts of onlickers. 

Sorath, triumvirate ever-revolving! Amon, The Ram of The Sun, The Moon, The Stars... Black Sun Hellemental.

Evocations pondered of earthen adventures in nature traversing the wilderness, and themed environments created of imagination's fane. Satanimal Beast there runs rampant in carnal rapport possessing what may. Devil Winds course o'er flesh & hill to bring forth the shadows and gloom looming ominous in cumulus formation, a tapestry of Gothic splendor forever cycling throughout all timelessness. 

In Nomine Satanas,

Warlock Draconis Blackthorne
Haunted Noctuary, The Black Earth
21 June, LIII


_____________
Feasts: Outdoor preparations, nocturnal open flame in hellfire pits, roasted foods, diurnal/noctunal salads. Polynesian, Egyptian, middle eastern cuisine.
Total Environment Decor: Polynesian and Egyptian motifs

Author's Notes/Comments: 

When hellfire doth rise to encompass the black earth, salacious contemplation makes way for mutual carnal indulgence. And Satan is pleased.

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Cut Down

Folder: 
Mother Earth

 

*

Grasses spinning

without ceasing

on their looms..

and then these

grasses are cut down

before they can bloom

 

 

saiom shriver

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