sociology

Against Hidden Poems

Author's Notes/Comments: 

Reedited (08.04.2023):

 

I have reedited typographical/linguistical/semantical errors in the comment section that have experienced some anomalies..for clarity, or for reducing any ambiguations.

in the garden, in the nighttime (with Old English, Dutch, and Germanic influence)

Author's Notes/Comments: 

This haiku was primarily composed as a personal note to my most recent subjective study material (micro-phenomenology).  I thought, first & foremost, why or how come it had that particular significance in me (at least for me). As far as that realization was thought to be consisting revelatory moments,  a denouement if you will, these have aided me (in my self-directed learning the importance/relevance of intersubjectivity, interrelatedness, & multiperspectivity as it relate to/in relation to philosophy, phenomenology, —mostly in semiotics/semantics/linguistics—of which are already specified in the past Author's Notes/Comments).

 

In addition, etymological definitions (with relative value to myself) basically were included below.  These are the linguistic influences of another language before being used in these particular ways.  Please note that this is just to help educate myself on these subjects & so, thought to be, help expand my learning objectives, which was why they've been given emphases):

 

 

 

Leaves pl./leaf sing. :

 

 

1.  Old English lēaf, of Germanic origin; related to Dutch loof and German Laub

 

Leave (another sense, as in the verb) :

 

 

2. Old English lēaf 'permission'; related to LIEF and LOVE

 

3.  Old English.. (this last one entry was not included; it had seemed to have a far different sense & meaning, so it had not been thought to be iterated; and apart from this reason, however, I could not find a special character from my mobile device to input "læfan" like how it appears from the built-in definition & its meaning to especially/specially denote that here correctly)

 

 

 

Animalism

Author's Notes/Comments: 

This is a "haiku" with a vague reference to superordinate things, really.  That a previous overlap of theoretically unrelated experiences, whereby a topic/subtopic might be inferred in this instance, can be a primary cause of its creation/composition.  Primary attitudes were evoked in some way and that could have impelled me (from which those could have denoted its possible thematic relations, too, if one should go to semantics—that was probably an informed decision to this).  I may not know for sure due to hermeneutics, hermeneutic phenomenology, epistemology, metaphysics (including related philosophies) since this was only the first-order logical statement that I had made (which alludes to its spontaneous study, a pattern of its discovery).  Please kindly consider my psychobabble at the moment.

Criteria Of The Fallen (An Affected Poem)

Author's Notes/Comments: 

"Criteria Of The Fallen", an admittedly affected poem, was written on 04/19/2017 at around 02:29 A.M.  Compared to the raw/original version in my Twitter platform, this one is an edited version (just the form/stanzas having been tweaked a little bit). Thank you for looking!