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LEGAL DISCLAIMER:  This poem is an abstract idea and does not pertain to any particular person (i.e., like most art, they are subject to interpretation, as well).

Reedited on 12.18.2019 02:34:  (I simply had added to the hashtags the following words/phrases:  Tagalog, Tagalog Poetry, Tagalog poem);

Reedited/emended/revised/reupdated on 12.17.2019: The particular language that was used for the poem, in the title, was reedited & or corrected, as well, just to be more specific & in order to denote the intended meaning properly, my real intention, & for clarifying that aspect in general.

LEGAL DISCLAIMER:  This poem is an abstract idea and does not pertain to any particular person.  Like most art, they are subject to interpretation, as well.

Reedited on 12.18.2019:  (I simply had added to the hashtags the following words/phrases:  Tagalog, Tagalog Poetry, Tagalog poem.)

LEGAL DISCLAIMER:  This poem is an abstract idea and does not pertain to any particular person (i.e., like most art, they are subject to interpretation, as well).

Reedited on 05.19.2020  19:41  (I correcred a misspelled/mistyped "conding" when it should have been "condong", which refers to a condominium unit, "condo" with the Tagalog "linker na/-ing in the Filipino language.)

Below is the unedited form:

Conding binili

Gumawa ng paraan

—Utang nang utang

Reedited on 12.18.2019 02:50:  (I simply had added to the hashtags the following words/phrases:  Tagalog, Tagalog Poetry, Tagalog poem, & a minor size-leveling of the main poem that previously had a much smaller font size for its title compared to the body.);

Reedited/emended/revised/reupdated on 12.17.2019 (The particular language that was used for the poem, in the title, was reedited & or corrected, as well, just to be more specific & in order to denote the intended meaning properly, my real intention, & for clarifying that aspect in general.)

LEGAL DISCLAIMER:  This poem is an abstract idea and does not pertain to any particular person (i.e., like most art, they are subject to interpretation, as well).

Reedited on 12.18.2019 02:57:  (I simply had added to the hashtags the following words/phrases:  Tagalog, Tagalog Poetry, Tagalog poem.);

Reedited on 12.18.2019:  (A mistyped/misconceived sentence error, a capitalization error in the verse, the first line of my poem's "Bahay ng Iba", was supplanted for "Bahay ng iba". It was possible that I had made the error for mistaking "Iba" because of a subconscious false notion of the parallel in the title which has the same structure as from my first line, but each having capital letters for the first letters, as in the title of the poem.);

Reedited/emended/revised/reupdated on 12.17.2019 (The particular language that was used for the poem, in the title, was reedited & or corrected, as well, just to be more specific & in order to denote the intended meaning properly, my real intention, & for clarifying that aspect in general.)

This is a self-directed study of Japanese "haiku" poems which I've been doing for some time now (as exampled in some of the poems listed here).  However, it was, in fact, written in another language.   This was still structured as a basic Japanese haiku of seventeen syllables, but by my current usage of Filipino/Tagalog language (yet another language group, one that is also widely used among the supposed "175" ones that are also spoken formally/informally in the Philippine archipelago), I thought that this could somehow aid in my informal studies.  I think this lets me examine the nuanced approaches to those elements in the free creation of "language" that are generally believed to be involved in the wide plethora of linguistic phenomena (as in the field of Linguistics itself).  This is only a practice poem to brush up on my Tagalog language skills & thereby learn from its subliminal, or nuanced, linguistic turn in the process (e.g., to denote its interrelation to semantics & intentionality: Kriegel, Searle, Quine, et al).  I only have tried to come up with these Filipino haikus for that sake, the stated initial purpose, but, secondarily, for my own personal applications as a firsthand experiencer.  During the last, while cross-referencing some of my notes, there are actually other Filipino haikus that were already existing (I recently have just discovered); and these were found online which also have their own particular haiku structures.  Thank you for reading on!

One in three poems (the others being "Taglamig" and "Bunga") that were second to the last batch of romantic-related poems (which are "Summer---the Sun's Promise" and "Laro ng Pag-ibig") specially made for the sole subject of 99% of my "love-themed"poems (in the Filipino/Tagalog language).

One in three poems (the others being "Taglamig" and "May Ulap sa Atin") that were second to the last batch of romantic-related poems (which are "Summer---the Sun's Promise" and "Laro ng Pag-ibig") specially made for the sole subject of 99% of my "love-themed"poems (in the Filipino/Tagalog language).

One in three poems (the others being "Bunga" and "May Ulap sa Atin") that were second to the last batch of romantic-related poems (which are "Summer---the Sun's Promise" and "Laro ng Pag-ibig") specially made for the sole subject of 99% of my "love-themed"poems (in the Filipino/Tagalog language).

Reedited 07.11.2019  (As an additional comment, spacing was edited due to not being as well-presented as now, due to its initial transfer, possibly from another platform, & or due to cutting and pasting beforehand; some grammatical/semantical error corrections were made, too, for clarification purposes in this particular author's notes, but not on the poem itself, e.g., some older poems that stretch ahead up to the oldest ones might have still contain "--", "---" etc. versus the newer ones where "—" was being used instead. 

One of two of the very last poems, "Summer---the Sun's Promise" being one, plus the other one (both were sent via a traditional snail mail method to its recipient, i.e., specially for that very same girl who is the principal subject in most of my love poems—that particular stretch of time alone).