newmorality

Unknowing Escapists

 

 

 

 

 

 

 

Unknowing Escapists 

 

 

 

Death, ..not proud—So sleep!

...dreaming of thy softer skin

—Thee—objectified!








Author's Notes/Comments: 

Reedited on 07.19.2019, 07.18.2019, 07.17.2019 (On clarifications, disambiguation, misspelled/mistyped words, grammatical/semantical errors):  Upon reviewing my notes/comments, I could not help but notice something that I had to revise.  I have edited that something in my Author's Notes/Comments, for some time, yet I had not been able to update and indicate those in the former reedition (I may have forgotten it).  Some of my previous grammatical/semantical errors were corrected/edited; but that had also lent itself to being still erroneous after I had found out about the others/another, consequently.  Those were the scruples which I had, i.e., in noticing/not noticing/ignoring an unedited/missed part, i.e., of a sentence (that was erroneous & that which was consequently omitted.)

 

The idea behind this practice poem is certainly not an allusion to John Donne's famous line or to his poem, although it sounded like it—in fact, it was sort of in my head before this was done (I do not know about his poetics until later on, after doing this).  But the usage might easily denote such notions or concepts which you might have in mind already (a correlative or a relation/association to this).  The phrase first came to mind while I was in my first few steps of composing something (which I wanted to pull off in the creation process alone & not necessarily done while visualizing my supposed ends).  That might/could be dangerous if it was Magic.  I did not know what had prompted me.  It does not necessarily end up as I supposed to have wanted it to come off (in that it was not my endpoint, to think about it).  My orientation is/was not in that specified way, as for most poetic styles &/or semblances with each poems that are rather perceptual (aside from being already conceptual).  Generally.  It is a moot point to take note of the circularity of such philosophical arguments (e.g., especially at this time) which I could have done with the rest of my haiku adaptations during the last.  I kept on feeling awkward at using haikus in the first place, or for taking on the minimalistic Japanese approaches/styles (& the use of blank spaces), just to go about such particular pieces of "literary work".  I especially connote my written English aside from my own thoughts about the subjects (&/or objects) that comprise the 'denotata'/'designata' at the moment.  Besides, if you might want to really know about my objectives, you may outright realize that these would be my test pieces or guides for mapping out my whole understanding of Language.  I just hope that this note's real message (real intention) comes across and becomes well received in conjuction with the poem's explanation/history/reason/etc. as in the other author's notes/comments that went before this.

The Immoralists Next Door

 

 

 

 

 

 

 

The Immoralists Next Door

 

 

 

There is/was a struggle

The scuffle of symbolists

Dreaming of Succor

Masturbation & Comfort

Left & Right, Neither Right nor Wrong—







Sociology of Modern Soil

 

 

 

 

 

 

 

Sociology of Modern Soil

 

A normal, steep path

Could be a wet, stony ground

Where seeds would not grow







Author's Notes/Comments: 

Reedited (06.08.2019)/major grammatical errors/semantical errors:


This is a "haiku" that I've been inspired to write (to type, actually) in addition to some that were already exampled here (as practice haikus, if you will).  I seem to have had several disjointed little musings at certain periods in time (especially during the past week or so); an end result would seem to be the catharses at the outset (as the culmination of these).  I was just suddenly/momentarily finding myself in the mood to write/type something up (in this instance/in the spur).  It could really be pertaining to life in general; or something work-related as it relates to my critique of media culture & its direct influences to human behavior or just anybody's psychological makeup.  Rather, they could be reflections in where every aspect of it were deemed to be specifically subsumed under such interconnected/interrelated subjects: The Humanities, Politics, Economics & those complex theories of value (the ones established within our current corporate world or to its so-called "social relations", e.g., in Marxism/Capitalism/Advanced Capitalism/Technological Nationalism/Techno-populism/et al).  Please kindly bear with my philosophical note/comment at the moment, though quite a long one, because I tend to explain the idea behind the haiku (e.g., an underlying reason). The impetus could still be compelled by my sociological observations (e.g., a "sociological imagination", C. Wright Mills, 1959) or it could be merely a critique, as well.  It could be even much deeper, depending on one's sensibilities on the symbolisms applied altogether.  Yet again, on the surface, these 'language texts' are merely insightful/introspective notes.  I sincerely appreciate those who may have an affinity to haiku poems.  I thank you, for reading on, anyway!  At the end of the day, what one might deem that goes on within these texts were thought to simply have been based on the sheer empirical data that were also implied (i.e., not necessarily an original transcript).  The substance whereof are coming from my initial "thoughts"/"thought forms" on its possible factual contents or basis/subjects/topics/et al (as mental concreta/abstracta themselves).  In connection with these, it's not that I naturally have been able to collate those translatable elements of my experiences, but the recognition of differences in linguistic patterns in every theory of language  (or any other turn for that matter, e.g., Derrida's Differance or perhaps Wittgenstein's, Russell's, etc.) whose social explanation may not even be really intelligible/recognizable in any other type of a particular ordinary language (to connote Philosophical Linguistics/Linguistic Philosophy/Philosophy of Linguistics/Language/etc.) due to what's currently in use.  A language created may not at all correspond to those subjective thoughts (cultural perspective/-ism/cultural values/Culture Theory).  I have had taken some of these things into careful consideration due to its relative meaningfulness or meaninglessness (which are all valuable with respect to comparative analyses).  Those justifications were also due to the sentence structures that I used which were collectively based on certain paradigms that, at first I thought, as if I were alienated/defamiliarized/depersonalized to begin with (as I was uncomfortable at a time when using it, e.g., because of the said perspectivism that's applied to a rather general linguistic theory).  As if it were inhering to myself at a time, by being affected subtly, first of all, in an English-speaking world, & where its usage is subject to grammar rules; yet also (by any chance) a subconscious assimilation of certain external influences which constrainedly affects its supposed free creation.  But, at this point, as any sentence structure may still involve thematic relations, or themes, what could have necessitated my eventual critique (i.e., my criticism vs. my acceptance of the turn of the century—which could really be my possible main theme), in itself, is a cultural value, also emphasized earlier.  Something that which one may factor by, e.g., either socially manifesting as postmodernism, consumer behavior, or comprising social theories/theories of value, & other multifarious social factors within the purview of Critical Consciousness (e.g., Friere, P.).  Moral Philosophy may, at best, be a relevant/significant part of it.  Therefore, that being said, the decision point may either be a good thing or a bad thing (if I may begin moralizing, by the extension of many moralizing agents/factors).  Also, while one may have decided on these (i.e., writing/typing something up about Postmodern Thought or Critical Thought), he/she may either have started to become more culturally sensitive or culturally aware (as a learner of intercultural studies).  Just maybe.—If that is, indeed, or, is in fact, a politically correct statement (or if that was the case).  

 

Paraphrasing that:  Could one be certain that he/she is, in fact, anti-establishment so far, i.e., for deciding on writing/typing about Postmodern Thought & Critical Thought?  Or, just maybe, could he be just becoming more culturally sensitive or culturally aware (as a learner of intercultural studies)? 

 

 

In the same vein, as one might get prejudged (e.g., ..because of prejudgements, snap judgements, cultural biases, assumptions, apperception, misidentification, misrecognition, misconception, misunderstanding, preconceived notions, presuppositions,  et al), can he/she also be easily called (or, can he even call himself/herself) a nonconformist (for his/her possible or assumed/presumed nonconformity)?  

 

 

 

Shoestrings

Shoestrings (an affected poem)

 

 

Are people's

lonesome adventures

depressive masquerades?

 

In a culture of one's

design; only

'tis Not

 

Deceit tied them

together like

Shoelace

 

Solace.

Author's Notes/Comments: 

Reedited 06.26.2019 (for an incorrect use of a preposition in "on the process" & since have changed it to "in the process"):  

 

I wrote a free verse poem approximately on (possibly around the afternoon or dusk, or even in the evening hrs.) This was posted on my Twitter account on the 10th of the same month.  Its working title was changed from "Shoelace" to "Shoestrings" in the process.  Pls. kindly bear w/ it, as 'tis also an affected poem.