Comment Activity: Friends Only

redbrick commented on: rejoicing by redbrick 19 weeks 1 day ago
  That image of being “the:   That image of being “the body burned to heat the hearth” is definitely unsettling, but it actually gets at something real: joy isn’t free. Harvest joy always costs something like grain has to be threshed, grapes crushed, wood consumed so that bread, wine, and warmth can exist. The fire in Rejoicing isn’t about destruction but about transformation: what’s given up becomes light, heat, and song for everyone gathered. It’s a reminder that celebration is born out of offering, and that what feels spent can return as shared gladness.
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Pursia commented on: + 9TH POEMS: During A Panic Attack by S74rw4rd-13d 19 weeks 2 days ago
I'll usually sieze up and: I'll usually sieze up and submit myself to having a stroke (lol)
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Pursia commented on: the wedding at the harvest by redbrick 19 weeks 2 days ago
Wow!! This full edition is: Wow!! This full edition is incredible as tattered virgin ware stockings, ha! You really ravaged that bitch, place your bets, under the honeymoon's half-light!
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Pursia commented on: rejoicing by redbrick 19 weeks 2 days ago
I imagined myself as the body: I imagined myself as the body being burned, to heat a festive hearth. Odd.
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Pursia commented on: CHAPTER 4 by Pungus 19 weeks 2 days ago
Yeah, reading this back the: Yeah, reading this back the very next day, prompted primarily by your delightful comment, my God, was definitely a trip, to say the least.
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karlmcallister commented on: silence of the scroll by redbrick 19 weeks 2 days ago
the silence itself is the script: the silence itself is the script... Buddhist? Thanks for helping me hear the silence.  The funny thing is ... had you not said, or rather written the words, would I have still heard it?   Peace
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redbrick commented on: i was homeless once by redbrick 19 weeks 2 days ago
Thank you for bringing both: Thank you for bringing both conviction and close reading here. I share your sense that homelessness in wealthy societies is less about resources than will, and your naming of hyper‑individualism as tyranny sharpens that truth. I’m glad that the hinge between physical and emotional exile spoke to you, that your pause on “Marble floors echo louder than alleys” felt like the loop closing. I am so grateful to you.  
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redbrick commented on: CHAPTER 4 by Pungus 19 weeks 2 days ago
     The jester’s chant, the:      The jester’s chant, the dragons, the stage, all circling around themes of illusion, temptation, and emptiness like a surreal carnival. I especially felt the tension between humor and dread, and the way the final image leaves the speaker undone. It’s unsettling, but in a way that lingers like a dream you can’t quite shake.
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redbrick commented on: skylight morning by redbrick 19 weeks 3 days ago
Glad to have brought some: Glad to have brought some enjoyment and interaction. We would have been different poets or worked at it in other ways had there been no social media aspect to this exercise. 
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redbrick commented on: drink the hemlock by redbrick 19 weeks 3 days ago
Thank you J-Called. : Thank you J-Called. 
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redbrick commented on: drink the hemlock by redbrick 19 weeks 3 days ago
I was hoping you would relish: I was hoping you would relish “la petite répartie.” 
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karlmcallister commented on: drink the hemlock by redbrick 19 weeks 3 days ago
Nice!: Touché mon amie! Well done!
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J-C4113d commented on: skylight morning by redbrick 19 weeks 3 days ago
Your verbal skill is well: Your verbal skill is well displayed in this powerful poem.
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J-C4113d commented on: drink the hemlock by redbrick 19 weeks 3 days ago
Your use of metaphor, simile,: Your use of metaphor, simile, and symbolism is always dynamically effective!  Always!
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redbrick commented on: + 1ST ORTHODOX POEMS: Reply To The Poet, Fyodor Tyutchev [Reposed July, 1873] by S74rw4rd-13d 19 weeks 3 days ago
  A beautiful devotional:   A beautiful devotional response,  It is moving how you weave Tyutchev’s contemplative spirit into a deeply personal affirmation of faith. The image of resting at Christ’s feet, paired with the scriptural echoes of Galatians and 1 John, gives the poem both intimacy and timelessness. It reads like a prayer as much as a poem.
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