The door is oak,
its brass plate worn to a soft blur
by decades of palms.
Inside, the air holds
the dry perfume of paper and cloth,
a faint trace of polish on the banisters.
Shelves rise like terraces,
each step a year,
each row a street in the city’s past.
Ledgers with spines like brick courses
stand shoulder to shoulder,
their titles lettered in gilt
that catches the afternoon light.
A clerk in a grey waistcoat
moves along the gallery,
his pencil ticking in the margin
of a bound minute book.
Below, a student copies
a map of the tramlines
into a ruled notebook —
ink pooling in the loops of her script.
Here, the city keeps
its own autobiography:
births and bankruptcies,
contracts and commemorations,
all pressed flat between covers.
The silence is not absence,
but the pause between sentences
in a paragraph still being written.
.
Like a time-capsule of
Like a time-capsule of combined commitment in this the everlasting, penultimate definition of jolly goodness flowing through the fountains of your forlorn courtyard...
peace, pot, tequila shot
Jesus loves us, stoned or not
could even be a metaphor for
could even be a metaphor for poets, mmm.... see you on the other side!
here is poetry that doesn't always conform
galateus, arkayye, arqios,arquious, crypticbard, excalibard, wordweaver