All Too Soon, All Too Long After

The bowls for water and food are empty.

The toys are still, in the places they were left.

The newspapers, once freshly spread, are not soiled.

No accidents on the wood floors to accidentally step into;

no sound of nails on those floors in eager hurry.

Time, itself, has taken a sharp swerve:

the avoided, postponed, invevitable

has become the blank parenthesis

that no joyous, or warning, bark will fill again.

Across that small earthen mound,

at the far edge of the back yard,

cold autumn winds sweep dessicated leaves,

and other debris,

beneath skies of leaden gray

that the absent sun seems to have abandoned.

 

 

Starward

 

Author's Notes/Comments: 

This poem began in a radically different form in the early spring of 1974.  The idea, if not the present form, is probably one of the earliest I entertained, two years before I believed poetry to be my calling.  I dedicate it to the deceased:  the Pennies (Penny 1 and Penny 2), Monica and Oscar; and to the still living:  Lady Zoey, Molly, and Cammie.  I woke, with this form of this poem fairly intact in my mind, at 5am; I polished its form and a couple of the lines while listening, on You Tube, to Harry Lubin's theme music for "The Inheritors," thought by many, including myself, to be the greatest and most perfect episode of The Outer Limits (original series).

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