tula

diskarteng marino (in Tagalong language)

Author's Notes/Comments: 

LEGAL DISCLAIMER:  This poem is an abstract idea and does not pertain to any particular person (i.e., like most art, they are subject to interpretation, as well).

Panganganinag Sa Pader

Author's Notes/Comments: 

A poem which is formed, or structured, like a Japanese "haiku"; & that which was created using my native language of Filipino/Tagalog (i.e., coming from the Philippines/Philippine Islands).

May Ulap sa Atin

Author's Notes/Comments: 

One in three poems (the others being "Taglamig" and "Bunga") that were second to the last batch of romantic-related poems (which are "Summer---the Sun's Promise" and "Laro ng Pag-ibig") specially made for the sole subject of 99% of my "love-themed"poems (in the Filipino/Tagalog language).

Bunga

Author's Notes/Comments: 

One in three poems (the others being "Taglamig" and "May Ulap sa Atin") that were second to the last batch of romantic-related poems (which are "Summer---the Sun's Promise" and "Laro ng Pag-ibig") specially made for the sole subject of 99% of my "love-themed"poems (in the Filipino/Tagalog language).

Taglamig

Author's Notes/Comments: 

One in three poems (the others being "Bunga" and "May Ulap sa Atin") that were second to the last batch of romantic-related poems (which are "Summer---the Sun's Promise" and "Laro ng Pag-ibig") specially made for the sole subject of 99% of my "love-themed"poems (in the Filipino/Tagalog language).

Laro ng Pag-ibig (In Tagalog/Filipino Language)

Author's Notes/Comments: 

Reedited 07.11.2019  (As an additional comment, spacing was edited due to not being as well-presented as now, due to its initial transfer, possibly from another platform, & or due to cutting and pasting beforehand; some grammatical/semantical error corrections were made, too, for clarification purposes in this particular author's notes, but not on the poem itself, e.g., some older poems that stretch ahead up to the oldest ones might have still contain "--", "---" etc. versus the newer ones where "—" was being used instead. 

 

One of two of the very last poems, "Summer---the Sun's Promise" being one, plus the other one (both were sent via a traditional snail mail method to its recipient, i.e., specially for that very same girl who is the principal subject in most of my love poems—that particular stretch of time alone).