Break

Winter poem

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The Endless Cycle...

Author's Notes/Comments: 

STILL not quiet finished hehe

Just added a little abstract :) and fixed some grammatical mistakes...

Oh, I also strongly encourage you to share this poem if you enjoyed it!

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Suicide isn't a Thank You - Collaboration Work

Author's Notes/Comments: 

This is an extended version of SinisterPotatoes (Jack) original poem Suicide isn't a Thank You. See it here: http://www.writerscafe.org/writing/SinisterPotatoe/1972625/
Hope you like it! (especially you sir, SinisterPotatoe (Jack))

Just added a little tang to it...that's all - SachikoMochiko


How I can improve: Quote from JayG


• “Jack!” my heart falls into a deep, dark, cold abyss as saltwater crystals rush like a waterfall down my cheeks. He ended it. Officers held me back, refraining me from attending his bloody body…his soul has left. 

This has emotional impact when you read it because you know who "Jack" is. You know who's speaking, who's bloody, and what they are to each other. You know where they are in time and space, and what's going on.

In short, you supply the emotion content as you read, because the words act as pointers to images, information, memories and more, all stored in your mind.

But the reader has only what the words suggest to them, based on the words they've read to any given point. So for them, your words act as pointers to images, information, memories and more, all stored in YOUR mind.

You either need to point to triggers in the reader's mind, or include them in the narrative.

Because of that missing context, when you reach the poem section, it's someone we know nothing about lamenting a situation that's unknown.

The voice "telling" this to the reader knows what's going on because they have context. You know for the same reason. The writer of the poem—that bloody unknown who's quoted knows. Even the officers holding this person of unknown age, gender, and situation back know. But you wrote this for the reader.Shouldn't they know, too? How can it hold emotional content for that reader if they don't view the events as you do?

In writing, context isn't just important, it's the key to reader involvement, and the reason that we need to edit from the reader's seat, not based on our intent. When we release our words, our intent, and everything about us becomes irrelevant. It's our words and how we place them, and what they suggest to-the-reader, based on their background, not ours.

Sorry my news isn't better. 

Hang in there, and keep on writing.

Jay Greenstein
https://jaygreenstein.wordpress.com/category/the-craft-of-writing/

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"Her Glacier"

Author's Notes/Comments: 

"Normally I'm all about the sensory imagery and using a wide vocabulary, and I know that poetry tends to be much more elaborate than prose, but I feel like the emotions and symbolism you are trying to convey are being lost behind all the extra words you're squeezing in. A lot of the words you've chosen come across as either redundant or misplaced, and that gets a little distracting for your reader(s). As you keep working on this piece, consider whether some of your word choices could be pared back, simplified, or eliminated all together. That will help emphasize the meanings you are trying to express.
Also take some time to consider the purpose of your punctuation. I know that ellipses seem like a nice, dramatic way to emphasize specific phrases and images, but overusing them in this way makes the reader feel like they're constantly trying to catch their breath. Which, hey, could be the very point! Just a thought I had." - C.J. Holmes

Break

Folder: 
Haqueian Verse
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tags:

Breaking the Rule

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tags:

How cruel can one human be

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My Angel

Author's Notes/Comments: 

@Wo_ozz

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Pity

Folder: 
Light and Dark
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